Noise Gates & Compressors

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Warm Audio

Fmr Audio

The legendary sound of the bus compressor launched in 1976 provided the glue that mixes needed and made them sound bigger. Many iterations later, SSL drop The Bus+: a fully perfected, highly advanced bus compressor.

Solid State Logic The Bus+ Bus Compressor

New colours from the masters of analogue  Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces six completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics,

SSL Fusion Stereo Mastering Processor

Dbx - Compressor, Limiter, Gate - 266Xs |Dbx 266XS

Dbx 266Xs Compressor, Limiter, Gate

Compared to standard compressors and equalisers, the SPL Stereo Vitalizer MK3-T has a few extra tricks up its sleeve and gives you more headroom, more bass, more mids and more treble than any of its predecessors. This popular masterbus processor can not only make any mix sound bigger and clearer, but injects the sonic saturation of two Sovtek 12AX7 vacuum tubes for fully vitalised low frequencies. It also runs on a higher internal voltage than the first-gen and second-gen models, resulting in an even broader dynamic range.

SPL Stereo Vitalizer MK3-T Enhancer

Drawmer introduce the '1976' 3-band saturation width processor: the perfect hardware component to add some life and colour to your recordings. The 1976 honours its name and certainly sounds like it was built in the year it was named after. The saturation effect it offers is fully analogue and brings the level of realism most plug-ins only dream of. You won't find any sterile, digital audio here but only that warm, full sound with a tenderness only carefully designed hardware units such as this one can deliver. Why simulate saturation if you can create the real thing, is what the engineers at D

Drawmer 1976 Stereo 3-Band Saturation And Width Processor

Based on the acclaimed &apos;60s-vintage 2254 unit, the Golden Age Audio COMP-54 MK3 diode bridge compressor hands you in-depth control over the dynamics, whether you&apos;re treating vocals, the bass or the guitars. If it&apos;s impossible to choose between the lighter touch of an opto compressor and the aggression of a FET compressor, then the Comp-54 will give you the perfect middle ground. The attack, release and ratio can also be set independently and, for treating stereo signals, including the drums, two of these units can be linked and run in tandem.

Golden Age Audio COMP-54 MK3 Compressor

Like some kind of seasoned sonic psychic, opto compressors are somehow able to understand exactly what you want from your compression. This is exactly what the Heritage Audio Tubesessor has been designed to do. Set the Attack/Release pot to &apos;fixed&apos; and you can&apos;t put a foot wrong. Even when working with extreme gain reduction, the sound of the Tubesessor retains sweet musicality. In manual mode, it&apos;s a completely different story. With fast Attack and Release settings, the audio can be &apos;smashed&apos; - in the most positive sense of the word - while the Tube Saturation an

Heritage Audio Tubesessor Optical Valve Compressor

If you've been dreaming of an optical compressor for a while now, but have been putting off getting one because your budget is stretched a little too thin, Warm Audio now offer the perfect opportunity to get your hands on one. The WA-2A is developed in the same way as the LA-2A, which means it's a fully tube-driven compressor with a completely discrete signal path for warm, accurate sound with a character that's as smooth as honey. The WA-2A features praised CineMag input and output transformers while its Kenetek opto-cell is considered the world's best. This first-class compressor gives the o

Warm Audio WA-2A Optical Compressor

The Pro VLA II is a compressor/levelling amplifier equipped with tube technology. Every mixing and mastering session will be better with the Pro VLA II by ART.

ART Pro VLA II Compressor/levelling Amplifier

Solid State Logic B-Series Dynamics 500 Series Module

With the Bus Comp, Warm Audio now give everyone the opportunity to enrich their productions with first-rate VCA glue bus compression. The original British design can be heard in thousands of tracks and through an almost magical shaping of your mix creates an immaculate balance with lively drums and analogue console-style punch. Needless to say, the Bus Comp comes with several modern additions, including a switchable CineMag transformer for ample audio options from transparent and clean to well-defined with colourful mids. If you tend to season your mixes rather generously, there's also the sid

Warm Audio Bus Comp Stereo Bus Compressor

We offer a wide variety of products, and the following precautions apply to some of them. Please note that they are listed for all products. 【Voltage Compatibility】Designed for Japanese voltage (90-110V). Using with a different voltage may cause malfunction. 【Plug Type】Japanese plugs (A or B type). Use a conversion adapter if needed. 【Transformers & Adapters】Transformers adjust voltage; adapters only change plug shape. Using an adapter without a transformer may damage the product. 【Liability】We are not responsible for damages caused by improper use, such as using the product without a transfor

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