Noise Gates & Compressors

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Warm Audio

Fmr Audio

Compared to standard compressors and equalisers, the SPL Stereo Vitalizer MK3-T has a few extra tricks up its sleeve and gives you more headroom, more bass, more mids and more treble than any of its predecessors. This popular masterbus processor can not only make any mix sound bigger and clearer, but injects the sonic saturation of two Sovtek 12AX7 vacuum tubes for fully vitalised low frequencies. It also runs on a higher internal voltage than the first-gen and second-gen models, resulting in an even broader dynamic range.

SPL Stereo Vitalizer MK3-T Enhancer

Drawmer introduce the '1976' 3-band saturation width processor: the perfect hardware component to add some life and colour to your recordings. The 1976 honours its name and certainly sounds like it was built in the year it was named after. The saturation effect it offers is fully analogue and brings the level of realism most plug-ins only dream of. You won't find any sterile, digital audio here but only that warm, full sound with a tenderness only carefully designed hardware units such as this one can deliver. Why simulate saturation if you can create the real thing, is what the engineers at D

Drawmer 1976 Stereo 3-Band Saturation And Width Processor

Based on the acclaimed &apos;60s-vintage 2254 unit, the Golden Age Audio COMP-54 MK3 diode bridge compressor hands you in-depth control over the dynamics, whether you&apos;re treating vocals, the bass or the guitars. If it&apos;s impossible to choose between the lighter touch of an opto compressor and the aggression of a FET compressor, then the Comp-54 will give you the perfect middle ground. The attack, release and ratio can also be set independently and, for treating stereo signals, including the drums, two of these units can be linked and run in tandem.

Golden Age Audio COMP-54 MK3 Compressor

If you've been dreaming of an optical compressor for a while now, but have been putting off getting one because your budget is stretched a little too thin, Warm Audio now offer the perfect opportunity to get your hands on one. The WA-2A is developed in the same way as the LA-2A, which means it's a fully tube-driven compressor with a completely discrete signal path for warm, accurate sound with a character that's as smooth as honey. The WA-2A features praised CineMag input and output transformers while its Kenetek opto-cell is considered the world's best. This first-class compressor gives the o

Warm Audio WA-2A Optical Compressor

With the Bus Comp, Warm Audio now give everyone the opportunity to enrich their productions with first-rate VCA glue bus compression. The original British design can be heard in thousands of tracks and through an almost magical shaping of your mix creates an immaculate balance with lively drums and analogue console-style punch. Needless to say, the Bus Comp comes with several modern additions, including a switchable CineMag transformer for ample audio options from transparent and clean to well-defined with colourful mids. If you tend to season your mixes rather generously, there's also the sid

Warm Audio Bus Comp Stereo Bus Compressor

Ripped out of the SSL 4000 B console, the SSL 4K B Dynamics 500 compressor/gate/expander module delivers richer and more colourful sonic character than the ultra-clean E-Dyn module, and does it all from a 500 Series rack compatible box. Besides the handy 2, 4 and 10 ratios, the B-Dyn also offers up a DS setting: a fixed 10:1 ratio with an extra side-chain filter that focusses the compressor on the high-mid frequencies - ideal for knocking the sharper edges off tracks. While, in Auto Release mode, the compressor responds to more complex material with sweet musicality. Combine the B-Dyn module w

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